Only the Ball Was White: A History of Legendary Black
Players and All-Black Professional Teams
by Robert Peterson
p 404
Published by Gramercy Books.
If there is a recent book that is more definitive on the topic of the
Negro Leagues and black baseball through the early years of baseballs
integration, I have not read it, nor am I even aware of it. Only
the Ball was White is a book of tremendous scope and unlike
Black Diamond
(review), it is written for an adult audience. It covers roughly ninety
years in scope, from 1867 to 1960 and provides an overview of how organized
baseball dealt with the questions of race, ability and baseball, or perhaps
how it failed to.
In many ways the popularity of baseball was something that came as a direct
result of the Civil War. Before the war (at least as early as 1856 but
more likely since 1852) baseball had been a game played by the well to
do in New York City but it was little more than a game of the gentry.
The Civil War however brought baseball from New York and into the Union
and eventually even the Confederate armies were playing. On the Union
side baseball was played by troops both white and black, together, and
when the war ended, baseball had become a part of the American culture
both black and white.
While the game spread south following the war, many of the 4.5 million
African Americans who had become citizens, migrated north, where more
opportunity and lesser degrees of prejudice existed - including the chance
to play baseball. However while the prejudice was lesser or at least not
as blatant, it still existed. In 1867 the first color line in baseball
was drawn by the National Association of Base Ball Players (NABBP) who
barred Negroes and the clubs for which they played from joining the association.
The NABBP survived only a short time thereafter to be supplanted by the
National Association of Professional Base Ball Players (NAPBBP) in 1871.
The NAPBBP never set a rule in writing but had a gentlemans agreement
not to admit Negro players or their teams and they set the precedent for
the unspoken agreement until the color line fell again when Jackie Robinson
joined the Brooklyn Dodgers.
This however did not stop black men from playing the game. They played
amongst themselves and by 1867 there were some formal teams playing challenge
matches against each other. In fact, the first self-proclaimed Colored
Championship was played in that year by the Brooklyn Uniques and
the Philadelphia Excelsiors.
If truth be told, the ban on colored players was not a complete one even
in professional baseball. In a year around 1872 (records are kind of sketchy)
John Bud Fowler, a black man from Cooperstown, New York, joined
a white team from New Hope, PA. He played as a professional for 25 years
with white teams. In 1887 as many as 20 black men were playing in the
minor leagues of their time, but the tide was turning against them and
in 1898 the final official game of professional baseball involving both
black and white men was played. This lasted until 1946 when Jackie Robinson
joined the Montreal affiliate of the Brooklyn Dodgers.
Black baseball however rolled on. In 1885 the Cuban Giants (Cuban was
a euphemism used by many teams in the hopes that if they were not seen
to be blacks they might be allowed into professional baseball) may have
been the first salaried black team, but there were to be many more. Most
of these teams were local and played against other local teams but some
were barnstormers, traveling and for a fraction of the gate or a set fee
taking on local teams of any color.
There were white men who wanted to the color lines broken but they were
not strong enough to fight the pressure put on them directly. They tried
subterfuge, signing players as Hawaiians, Spaniards, Cubans, and even
in the famous case of John McGraw trying to pass black second baseman,
Charles Grant, off as the Native American Charlie Tokohama. Had any of
these subterfuges been successful the color barrier might have been weakened
but as it was, even real Hispanics of dark skin were discriminated against
- to the point that they too were barred from the game.
From that discrimination came the Negro Leagues, as well as the informal
teams that barnstormed. There were a large number of leagues in black
baseball, most unsuccessful, not due to lack of talent, but due to lack
of organization and agreements between owners. Leagues lived and died,
as did teams. By todays standards Negro baseball could at best be
described as chaotic, but great teams and great stars existed there.
The book provides information, not just on the great teams, but of the
players themselves, the pioneers, the groundbreakers, and those who tried
to elevate the game. There are chapters and sections on the names we know
and a few that we dont know. You can read about Satchel Paige, or
Josh Gibson who was called the black Babe Ruth, about Rube
Foster, Roy Campanella, speedster Cool Papa Bell, or John
Henry Lloyd who was called the black Honus Wagner (and of
who Honus Wagner said that it was a privilege to have been compared
with him.)
Finally it comes to the final years of segregated professional baseball
(blacks and whites often played against each other in barnstorming tours)
and the collapse of the color barrier. Even then the barriers fell slowly,
with only 5 teams having black ballplayers in 1950. In 1959 the last holdout
team, the Boston Red Sox, finally signed their first black player Pumpsie
Green.
The last part of the book tries to share with reader the statistics of
the Negro Leagues that can be pieced together as well as biographies of
the legendary black players of black baseball. Though modern research
by members of SABR (Society for American Baseball Research) has improved
upon much of the data, what is presented here gives a picture of Negro
League baseball that will be etched on your mind.
Give this book 3 out of 4 balls, for the
fascinating read, history, and thoughtfulness it provokes. While not the
most modern book about Negro baseball, it has a power than makes it one
of my favorite baseball books of all time.
Our Rating System is based on a four ball system
as follows: One Ball: Average. It has something to say but is nothing special. Two Balls: Something men usually have - also means its a cut above
average, and worth reading/owning. Three balls: Stands out from its peers and is highly recommended. Four Balls: More than just what two men have when hanging out
together, it means it is an exceptional book that truly earns a walk -
straight to the local book store to get a copy.
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